We are all too familiar with the paralysis that comes with a blank page waiting for us to adorn it with the finest prose we can muster. There is so much for a screenwriter to consider when constructing a scene, yet time and time again we focus too much of our energy into a paranoia over superficialities. We know all that really matters is story, so what's the answer to beat paralysis by analysis? Here Alan Mahenna makes a strong case for putting aside the fear of failure and accepting that writing badly is a huge step forward toward writing well - CJ