Okay that's perhaps a bit of an overly convoluted title but this isn’t a full guide supposed to cover every aspect of every deal a screenwriter can be presented with during their career. This is some basics to cover those early offers you may be presented with and to help you determine if you should maybe get excited or consider politely walking away into the sunset - CJ

There's something I want to get off my chest. My need to say this has come from what’s actually a wonderful forum thread I stumbled upon about script listing websites. I was delighted to see Script Revolution recommended along with the Black List and InkTip with a bunch of positive success stories surrounding it. After three years struggling to get the site off the ground, I have to admit I got a little misty-eyed. However, since I am a defensive pessimist, I of course had to find something to find a beef with and this beef has been brewing for a long time - CJ

Hey, if you’re feeling a bit bleak about your screenwriting journey lately then you need to read this. We all get a little down and this climb up the mountain can seem futile and pointless at times. I myself am going through my own doubt and paranoia despite my recent success. It’s amazing how quick the pessimism can creep back in when things slow down. So, let’s do something about that. Let’s remind ourselves why we write screenplays and rediscover that motivation we need to not only continue our journey but enjoy every step - CJ

For a long time before my first professional screenwriting gig, I was known for being a screenwriter who didn’t spend much money trying to break in. While this was partly because my financial situation simply prohibited anything but a very minor expense, what some people don’t know is that I blew what little savings I had in my first two years writing and that taught me an important lesson; I’d gotten nothing back of any value and needed a different strategy - CJ

Rules, rules, rules – it can feel everyone wants to throw a new one at you when you get into screenwriting and they are almost always obsessed with the superficial such as formatting and typos. Good craft will always trump bootlicking via conformity but let’s not dwell too much on that because I want to share something with you that might just become your new mantra - CJ

I’m a screenwriter based in an old rural market town in the UK who’s recently gotten back from LA where I got to see a feature film I’d written go through principle photography, and now everybody’s asking me how to break in. I can’t really answer that question but I can say this, what I’ve come to notice over the past few years is a distinct difference in attitude between those who eventually break in and those who never seem to make it. I feel like I can easily place amateur screenwriters into one of two groups and predict their destiny - CJ

Where I find myself right now is straddling both sides of that wall we all face with the amateur scene on one side and the industry world on the other. From this perspective, I have a great vantage point to see what is and isn’t working for screenwriters who want their passion to eventually bring in paycheques. So, after nearly seven years, countless scripts, and endless chit-chat with everyone from first-time writers to long-time producers, here goes - CJ

I’ve finally optioned a feature script. It’s taken six years to get to this point and it’s been tough, really tough. How does it feel? It feels amazing. It’s a whole new level of validation. It feels like the start of something rather than living in purgatory. But I don’t want to make this about myself. I know many of you are finding it tough too, so I wanted to put something together explaining how I think I got here and what really matters when it comes to screenwriting - CJ

That’s a rather arrogant title, isn’t it? Well, I’m not going to beat around the bush here. There’s countless screenwriter booklists out there and a lot of them aren’t even compiled by screenwriters themselves. They are pretty dire and I’ve been cutting my own path with reading for a while now. I want to share the books that I’ve personally learned a lot from and know have worked for me. This is what I believe is the most powerful collection of screenwriting books you can read over the next 12 months - CJ

Before we get into this, I want you to sit down and be prepared for a bittersweet ending. You see, this isn’t one of those blog posts where I encourage every writer to keep fighting, this is a heartfelt and open case for why I may have to quit. I feel it’s about time we had a little conversation about how utterly life destroying the screenwriting dream can be.

This week has been a turbulent one in screenwriting. You could easily have missed it. Entwined within the drama was a historical turning point in the screenwriting world and what looks like the beginning of a new fight between creatives and capitalists. We have entered a new age of artificial intelligence that’s going to affect us in ways we never imagined how - CJ

Look, this is going to be brutal, but it needs to be said. If you're looking for harsh truths about screenwriting then look no further. You better have thick skin before walking into this one and I'm talking alligator skin thick here. I'm about to hit you with ten doses of sorely needed self reflection and some in your face reality here. You ready? You sure? Why am I so much better than you? Yes you. I've not just got the balls to ask you that question but I've got a long list of reasons to throw at you too? Think you can get all the way to the bottom? Time to suck it up, buttercup - CJ

It's a little bit of a rant from me today. I've gone through another week of watching hopeful new writers finding themselves shot down by the more jaded members of screenwriting communities. It's the usual spiel too. The claim these bright eyed and bushy tailed amateurs aren't tough enough for the business. I'm so tired of it. The thing is, it's all a distraction and I think we're all falling foul of being in an echo chamber. I say it's high time we break out before we lose our collective minds - CJ