JERRY ROBBINS
Screenplays

Catch the Bullet (Western) Post-production. Feifer Worldwide (Best Feature Screenplay – Wild Bunch Film Festival.)

The Legend of Lake Hollow (Horror) Pre-production, Penumbra Entertainment.

Christmas At Exit 24 (Romcom) Under Option

Christmas At Chestnut Cottage (Romcom) Under Shop Agreement with Urban Elephant Media.

Climb (Animated holiday musical) Academy Nicholls Fellowship Quarterfinalist, Best Screenplay Hollywood Int’l Motion Picture Festival, Crown Wood Int’l. Film Festival, Official Selection - Finish Line, Finalist at Lonely Seal Film Festival. Script coverage: Double Recommend - (Screenplay Gurus). Under Shop Agreement with Urban Elephant Media

They Beckon (Horror) Official Selection Diabolical Film Fest. Received good coverage.

Always Christmas (Family).

The Santa Exchange (Family).

Tulips (Horror).

Encounter at Hopkinsville (Sci-fi thriller).

Million Dollar High (Comedy).

Gifted Children (Horror) Script coverage: Double Recommend (Screenwriting Staffing).

Wicked Things (Horror) Script coverage: Double Recommend (Screenwriting Staffing).

The Unexpected Romance of Captain Sam (Romcom).

Guns of Powder River (Western) Nominated for Best Screenplay, Wild Bunch Film Festival (Current)

Bows for Holly (Romcom).

The Dickens You Say (Comedy) Official Selection Filmmatic Comedy Screenplay Awards.

ShowGhosts (Animated musical) In progress.

The Fugitives Trail (In progress).

Audio Drama
I have also written over 480 audio dramas, all produced by Colonial Radio Theatre, and released through Brilliance Audio and Blackstone Audio. Titles include Ticonderoga, Captain Blood, The Legend of Sleepy Hollow, Gettysburg, Shiloh, The Alamo, Yankee Clipper and the Adventure of the Golden Sphinx, King Solomon’s Mines, and The Canterville Ghost.

In 2006 I started a five year collaboration with legendary author Ray Bradbury, producing Dandelion Wine, followed by Something Wicked This Way Comes, and wrote the scripts for The Halloween Tree and The Martian Chronicles – all award winning productions.

I also collaborated with Broadway playwright William Luce on the audio drama version of Barrymore, and with Star Trek’s Walter Koenig, producing the audio drama Buck Alice and the Actor-Robot.

My audio dramas played six days a week on  Sirius-XM for eight years, and my western series Powder River ran 13 seasons with 178 half-hour episodes and two feature length productions.

Unique traits: Produced screenwriter. I also have written over 480 audio dramas, all produced and published by Brilliance Audio and Blackstone Audio. Co-owner of The Colonial Radio Theatre on the Air, now its 25th year. My western audio series, Powder River ran 13 seasons with 178 half hour episodes.