Following an induced labour some time in the 1960s (due date: Halloween night), I had my subscription to a normal life revoked by itinerant parents, who moved from city to city. Lived in Liverpool, Belfast, London and Leeds, then escaped to university, where I nearly died of a brain haemorrhage. After an unexpected recovery, formed an underground indie group (Sexus). Met the lead singer through standing on a bee. Made immediate plans to become rich and famous, but ended up in Manchester. Shared a house with mice, cockroaches, and slugs; shared the street with criminals. Five years later, hit the big time with a Warners record deal. Concerts at Shepherd’s Bush Empire, Melody Maker front cover, Smash Hits Single of the Week, Radio 1 and EastEnders. Mixed with the really rich and famous. Then mixed with lawyers. Ended up back in Manchester, broke. Got a PhD in English (I am the world's leading authority on Tennyson's stage plays), then wrote my first novel, The Craze, based on my experiences of the Muslim community. Immediately nominated to the Arena X Club (the name Arena magazine gave to a select group of creative, UK-based men responsible for shaping the way their readers lived and enjoyed their lives). Wrote a second book, Brown Boys in Chocolate, which predicted the London bombings. Fell foul of the censors and subsequently gagged by the press. Got ITV interested in a story on honour killings and inter-racial marriages and was commissioned to write a screenplay (Pariah) based on my life story. ITV balked at the content. Subsequently, trod the Wasteland before finding the grail again with three further novels: Killing Sound, Daddy Dearest and Pendle Fire (an Amazon bestseller). A year-long battle with Meniere’s Disease turned my world upside down before balance was restored, and I returned to scriptwriting with the fantasy, Finn and the Fae, and supernatural thriller, After Life.