The Object of My Infection by David Lambertson | Script Revolution

The Object of My Infection

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Status:

Page Count: 
14pp

Genre:

Budget:

Age Rating:

Logline: 
A CDC research technician uses the only tools available to her to stop an abusive husband
Synopsis/Details: 

Suspended police captain Drew Sanders is a foul creature with police badge tattoos on each bicep who looks as though he belongs in a Deep South trailer park. He is also a wife beater. Drew’s wife Emma is his opposite; a lab technician/scientist at the Center for Disease Control.

Bruised and permanently battered, Emma’s determined to end the vicious cycle despite Drew’s day-after promises to stop using and abusing. Dangling at the end of her frayed rope, Emma eventually brings home a special treat from work for “Dear Hubby” – in the form of a white powder he thinks is cocaine. Naked on their bed, the only thing she wears is a bump across her stomach and Drew can’t resist, the last in a long line of his mistakes.

This Script Has Been Reviewed By Shootin' The Shorts

Richard Gere played one of the most menacing, hated police characters of all time in 1990’s “Internal Affairs.” With immense help from writer Henry Bean and director Mike Figgis, Gere crafted one of those rare performances where you actually sweat and squirm in your seat while you watch his slimy Dennis Peck lather in deceit, corruption and murder.

Writer David Lambertson has created a similar character in “The Object Of My Infection” with suspended police captain Drew Sanders, a foul creature with police badge tattoos on each bicep who “looks as though he belongs in a Deep South trailer park.”

Drew’s wife Emma is his opposite; a lab technician/scientist at the Center for Disease Control. From page one, the stage is brilliantly set with good (white coat and all) versus evil (a law man we surmise has twisted the law).

There’s no line Drew won’t cross or snort including infidelity, which he blames his wife for.

EMMA
She was here today? In our bed?

Drew doesn’t take his eyes off the television.

DREW
I don’t know what the fuck you’re talking about?

EMMA
I can smell her! I can smell what you did!

Drew takes a long sip of beer.

DREW
(far too casual)
Well, maybe if you weren’t so catatonic in the sack, I wouldn’t
have to be chasing stray pussy.
(beat)
It’s like fucking a corpse with you.

Emma screams at her coked-up husband to leave, throws house keys at him, nicks his cheek – and pays an all-too-painful price. His brutality includes several backhands to Emma’s face before dragging her to the bedroom for their first-ever sodomy session.

Bruised and permanently battered, Emma’s determined to end the vicious cycle despite Drew’s day-after promises to stop using and abusing.

Dangling at the end of her frayed rope, Emma eventually brings home a special treat from work for “Dear Hubby” – in the form of a white powder he thinks is cocaine. Naked on their bed, the only thing she wears is a bump across her stomach and Drew can’t resist, the last in a long line of his mistakes.

There’s no mistaking the quality of storytelling in “The Object Of My Infection,” which would have minimal budget. The biggest hurdle may be finding a location to mimic the CDC.

And finding a brave enough actor to take on Emma’s role.

Pages: 12

Budget: Moderate – except for a lab scene, the other locations are simple… with only two main characters (that better have great emotional range.)

Review by Zack Zupke

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David Lambertson's picture
Gold Star

The Writer: David Lambertson

Hmmm - how does one craft a writing biography for one that has not spent a life writing? I'll give it a shot. I knew I wanted to be a writer when I was eighteen. I started writing when I was 56. In the years between I got married, had children, got divorced, got married again, had grandchildren and spent more than thirty years as a Government bureaucrat. Exciting - I know. There is good news and bad news in that. The bad news of course is that I spent my life working at a career other than the one I wanted to have. The good news is that I garnered enough life experiences to make my writing more meaningful than it would have been as an eighteen year old. Despite starting late, I have... Go to bio

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