Uncomfortable Creatures by Hank Biro | Script Revolution

Uncomfortable Creatures



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Resentful towards his prey and questioning his abilities ever since the death of his protege, a monster hunter pursues a family protecting a strange creature they believe to be their deceased matriarch.

Humans used to live among the dinosaurs. Dinosaurs much larger than their fossils claim they were and humans much more advanced than we have been led to believe. The humans form an army and try to destroy the giant reptilian species until extinction, and they come very close to succeeding. Hundreds of thousands of years later, the clan of monster hunters remain. Their weapons so advanced they now need only hunt in pairs of two.

In Medieval times, two monster hunters arrive at a city which a large dragon with fire-breath terrorizes regularly. The city council meets with the men and discuss the creature. The two men ask to see the city's records, then the hunters depart from the city and begin to track the dragon to its lair.

Year: 1800s. A demon-like creature terrorizes family after family. Two monster inspectors dressed as priests arrive at the house of the current family being haunted, and they successfully exorcise the monster.

A sea creature starts destroying shipping boats and killing sailors. A small group of citizens decide to take a boat and fight back. Two other “citizens” convince the group to let them join and help. They set sail and find the creature. The monster inspectors take the only escape raft and burn down the main boat to lure and kill the creature.

Year: 1960s. A homicidal creature traps a group of high school students inside their school. One of the "students" named DEREK, who is really an inspector in disguise, gets the idea to set a trap and capture the creature. The two inspectors kill the remaining students that witnessed them battle the creature.

Year: 2000s. the student incognito is all grown up now, and with his own younger inspector protege they hunt down a cackle of monsters, although the protege is killed and Derek fills with anger and becomes very bitter towards all monsters.

Current year. The LITZ family stands over their dying grandmother’s bed. She dies and the family mourns. Suddenly, out of thin air beside the bed, a strange alien-like creature appears. The family comes to the conclusion that this creature is their reincarnated grandmother.

Now, Derek has a new young protege named JERRY, and they both only hunt non-dangerous creatures. The reincarnated grandmother and her family are now their targets. The family spots the inspectors and they go on the run on the road with their grandma monster.

The family stops at a motel for sleep, The eldest daughter SARA meets a young boy her age named JONEZI, and he tells her about a house party close by, she steals her parents car and goes there. Sara’s brother, OWEN, follows her in a cab and so does the inspectors.

At the party, Derek threatens and then kills one of the party guests, then another guest bashes Derek over the head with a keg, which renders him unconscious. Sara leaves the party with the boy she met at the motel and he convinces her he is in love with her. Derek wakes up far away from the party and notices his hi-tech weaponry stolen. He returns to the party and there are guards at the door who distract him so another college student can stab him multiple times. Derek blacks out from the pain, while Jerry picks him up and takes him away.

After Jonezi and Sara have sex he says he was lying about how much he cares about Sara. Her grandma scares the boy away and Owen helps cheer Sara up. They pick up anti-pregnancy medicine on the way back to the motel.
The third oldest, JESS, sneaks out to smoke some pot while the family takes another sleep break. The youngest daughter, PAIGE, and grandma Litz follow her. Paige tries to convince Jess she doesn't need to smoke, while Jess explains she does because of the stress of feeling like the family doesn't take her depression seriously, Paige tries to convince her otherwise. Paige and their grandmother leave to let Jess make the choice whether to smoke or not.

The inspectors arrive at the motel with Jess in their possession. Derek paralyzes the entire family with a smoke drug. Derek proceeds to position the father, TRAVIS, to his liking, then Derek rapes Travis in front of the family using an electric intestinal prod, and afterwards his family are forced to watch him bleed out to death until the smoke-screen wears off.

Before the inspectors leave with their grandma, the Litz family's mother, VANESSA, extracts where the monster inspectors will be taking their grandma monster, which is a slaughterhouse. The family calls the A.L.F. nearest to them and then quickly head to the nearest slaughterhouse.

Travis is now in Heaven and talks with God and tries to get sent back to Earth as a monster to save his family.

The A.L.F. Members don't get there in time and the grandma's soul is transferred inside a dairy cow, though they do escape with the cow version of the grandma. The inspectors are close on the family's tail and force them into the woods where the two inspectors trap the family. God agrees and sends back Travis, now in the form of a dangerous plant creature, and he kills the two inspectors and saves his family. The father devolves into a tiny flower and the Litz family returns with gardening equipment to uproot the dad and take him home with them.

Submitted: January 12, 2019
Last Updated: December 8, 2019
Times Downloaded: 2
Last Downloaded: September 7, 2019

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Hank Biro's picture

The Writer: Hank Biro

I am a Canadian screenwriter born and raised in London, Ontario. I have had a love for film since childhood, which has driven my passion for writing. Some screenwriters who have inspired and influenced my work include: David Cronenberg, Stanley Kubrick, Quentin Tarantino, M. Night Shyamalan, Guillermo del Toro, David Lynch, Bong Joon-ho, and S. Craig Zahler. I have written many varieties of stories, with my focus over the past six years being on creating screenplays. Most of my screenplays include sociopolitical commentaries, and I feel all of my scripts contain striking visuals that would appeal to many audiences. Other samples of my writing can be found at: stage32.com/profile/618494... Go to bio

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