A Christmas party goes awry with deceit and murder when the man of the house discovers that his wife has been cheating on him with his best friend.
Type:
Feature
Status:
Example of work only
Page Count:
106pp
Genre:
Comedy, Crime, Mystery, Thriller
Budget:
Shoestring
Age Rating:
13+
Synopsis/Details
In a 1959 Broadway theater, we meet JULIAN and KURT who are both stage actors and best friends. After the final performance of a successful show, Julian receives a telephone call from Kurt's half brother LEONARD, who alleges to Julian that Kurt is having an affair with Julian's wife, Roberta. At this news, Julian goes home early and discovers Kurt in the bedroom shower. Roberta tries to hide the evidence of her indiscretions, but seeing through the lies, Julian chokes Kurt to death with a curtain cord. Julian convinces Roberta to help him conceal Kurt's body in the window seat -- moments before several guests arrive for an annual Christmas morning gift-exchange. Julian's elderly mother GERTRUDE and her new, significantly younger, boyfriend RODNEY arrive, followed by Leonard. Alone in the kitchen, Roberta and Leonard touch base with a kiss. They believe they successfully framed Julian into murdering Kurt, leaving them free to pursue their illicit relationship, while saving face in their affair. They simply need to find Kurt's body, which has since mysteriously moved to an undisclosed location. Complications arise for Roberta and Leonard's affair when Kurt arrives to the party, ALIVE! He and Julian have faked the murder and are fully aware of Roberta and Leonard's infidelity and plot. But everything goes even further off the rails when Kurt confides to Julian that he has poisoned a bottle of wine, which he intends to give to Leonard as revenge for attempting to have him murdered. When the expensive bottle finds it's way into a Secret Santa -- turned White Elephant exchange, all bets are off, and Julian must retrieve the bottle before someone drinks the poison… resulting in real murder and further hijinks.
All Accolades & Coverage

Contest: ScreenCraft Comedy Contest (2019) Coverage 9/10:

“A Bloody Affair” is a funny and thrilling romp with a fast pace, compelling characters, and intriguing mystery. The twists are clever, and the dynamic between the characters liven up the limited world. It’s hardy noticeable that most of the script takes place in one location, and suspense is alive throughout the entirety of the script. It’s also tonally interesting that the first act feels a lot darker and less comedic than the second two thirds of the script. This helps highlight the twist and serves to make the following scenes even funnier. This is a solid script that is structured great, paced perfectly, and is both tense and funny."

"Overall this is a strong script that already feels solid. The characters are all well-developed, compelling, and unique, and the story itself is new and unlike most. The writer's voice and sense of humor is clear throughout, and with some tweaks this script will be ready to go."

Blacklist Evaluation 1 - Prospects:

"This project feels like a throwback to a different era in filmmaking; it takes the audience on a trip to Classic Hollywood, with just enough cheekiness to let them in on the gag. The voice and style of it will certainly help differentiate the project from others in the genre, and the kind of nostalgia and fun it has will really turn heads. Keeping it contained also keeps the budget down and logistics easy. With a bit more work to address some of the minor issues, it could certainly generate some heat for the writer."

Strengths:
"This is a darkly funny, irreverent little romp. The premise is great, a quick and clean concept that the audience understands and engages with immediately. It recalls the familiar tropes of classic murder mysteries, but the wit and comedy helps it stand out, more along the lines of movies like “Clue” or the classic, “The Thin Man.” Still, the writer provides enough unexpected twists and subversions of the genre to keep the audience excited and guessing. And just like the characters in the story, the audience doesn’t have time to get comfortable as complication after complication arises to provide more conflict and, of course, more comedy. The writer shows a keen instinct for this type of screwball comedy; the tension never resolves, keeping the characters frantic and moving, which helps everything work more smoothly. What’s also impressive is that, despite the comedy, the story still finds an emotional center that’s honest and effective. Sure, Julian, Roberta, and the gang probably all have some screws loose, but seeing husband and wife rekindle their romance is still sweet and satisfying at the end, despite the bodies dropped. All in all, it’s a great idea and a ton of fun to read".

Blacklist Evaluation 2- Prospects:

"Though there still may be some room for improvement, overall there's a lot to like about the prospects of the project in the long term. The script knows what it wants to be and goes for it, landing squarely within the intended genre. From a budget perspective, it reads as quite affordable to produce, something that's always ideal when looking to find financing for an independent feature. The core cast is small and the locations are limited as nearly all of the film takes place either at the theater or at the house. It could also likely be shot in any number of cities/states that are currently offering tax incentives and production rebates to the film and television industries. In terms of casting, there are a number of strong roles that should appeal to actors and actresses alike, most notably Julian, Kurt, Roberta, Leonard and Rodney. It's worth noting that Roberta is a well rounded female lead at a time when there's a hunger for empowered female characters in the marketplace. Depending on the work done to future drafts of the script, the level of talent attached and the execution by the director there could be a range of outlets for the film. It could be a fit for the independent festival circuit and find distribution from there either theatrically or via a streaming/VOD platform like Amazon or Netflix".

Strengths:
"A BLOODY AFFAIR is a compelling dark comedy with strong mystery and suspense and dramatic elements that explores themes of love, loss, betrayal and survival in a 1950s New York setting. The New York environs work well for this particular plot given the significance that the theater and acting plays both from a plot and character standpoint. JULIAN as the protagonist is a mostly sympathetic figure with clear motivation and well defined wants and needs though he may not always make the most altruistic or level headed decisions. ROBERTA as his wife is sympathetic in her own right and while her flaws come through most clearly early on, it's rewarding to see her show her true self as the plot progresses. The dialogue throughout feels authentic to the era and the character delivering it and there are turns of phrase and barbs that help push the "Agatha Christie"-esque mystery forward while still injecting moments of levity. (Ex. JULIAN Whom you slept with. Yes I knew the man. ROBERTA Do you really have no remorse over this? Julian, you've committed murder. Murder! At Christmas of all times. This is very serious.) The ending, while not entirely unexpected, ultimately does feel earned and rewarding and should have audiences leaving the theater satisfied, especially given the way in which it comes full circle for the central characters".

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The Writer: Scott Jeschke

Scott in 2019: Scott Jeschke is a Los Angeles based writer-director who has produced and directed top of the line marketing and internal videos for major tech and government-affiliated companies such as Centauri, Raytheon, ScienceLogic, and Densify, where he honed his skills of working in a fast paced environment, balancing the feedback of multiple executives and always putting the client's needs first. Scott currently directs professional-level short films and has written numerous features and pilots. Recently Scott wrote and directed a short thriller called "It Happened on Orchard Street" which featured on iO9 - Gizmodo, Horror Asylum and The 7th Matrix, as well as a short comedy called "… Go to bio
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Agency: None - Looking for representation
Agent: None - Looking for representation
Manager: None - Looking for representation