Desperate to reunite with his deceased son, a brilliant Ivy League biologist journeys to Tibet, sacrificing his career and marriage to obsessively pursue a mysterious epigenetic marker that may be proof of reincarnation.
Type:
Feature
Status:
For sale
Page Count:
111pp
Genre:
Drama, Sci-Fi
Budget:
Independent
Age Rating:
13+
Synopsis/Details
INCARNATIONS was recently selected for a 2022-2023 Humanitas New Voices Fellowship, as a work that explores the human condition in a nuanced, meaningful way. INCARNATIONS also won FIRST PLACE in the Best Screenplay Competition at the Oscar-accredited 2021 Rhode Island International Film Festival and is a "BLACK LIST ENDORSED" script with Black List readers remarking: "Thought-provoking, mind-blowing, and heartfelt, INCARNATIONS blends science-fiction, spirituality, and pathos to create something wholly new and memorable... INCARNATIONS hooks our attention immediately with its mind-blowing high concept. The execution that follows is thoughtful and human... incredibly powerful and stirring, a unique catharsis only this script and this concept can deliver." "Clever, original, intellectually stimulating, and gripping, a high concept idea that translates into a smart character- and idea-driven story... The plot twists are consistently surprising... The kind of low-budget, intellectual thriller that plays at Sundance... The ideas are king here." "INCARNATIONS is a superbly written, richly compelling medical drama... The dissemination of information is perfectly timed and paced, creating an engrossing mystery, delivered with a curt eloquence... The final sequence in France is absolutely stunning; emotionally gutting; while deeply life-affirming... Simultaneously smart, different, expertly rendered and ultimately profound... This is the type of work that should have an easy time finding champions, and would fit perfectly within the catalogues of any one of the major streamers." In the years following his four-year-old son Braden’s death, renowned biology professor Dr. Thomas Hunter has obsessed over an epigenetic marker called “K17” and its possible connection with the afterlife. In doing so, he’s alienated his colleagues, his students, and most of all his wife Sarah. After getting fired by the university, Thomas stumbles upon a startling theory involving reincarnation—that upon death, every person’s unique K17 mark disappears, only to reappear in a newborn baby that is the reincarnation. Thomas dubs the K17 mark the “fingerprint of the soul.” To test his theory, Thomas journeys to Tibet to compare the K17 mark of the newly selected Dalai Lama with the K17 mark of the recently deceased Dalai Lama. While observing the breathtaking landscapes and the devout Buddhists and their rituals, Thomas begins to have a spiritual awakening. Thomas meets a Tibetan woman, Samaya, who struggles to provide home care for her vegetative son. He bonds with her over their common grief, but they don’t see eye-to-eye—Samaya leans into her Buddhist spirituality, while Thomas still leans into science. Nevertheless, Samaya helps Thomas in his quest. After some scientific and even political setbacks, Thomas is thrilled to find that the Dalai Lamas’ marks are a perfect match. This definitive proof of reincarnation is a relief for Samaya—she finally allows herself to remove her son’s feeding tube. As her son passes away, she recites prayers from the sacred 8th-century text THE TIBETAN BOOK OF THE DEAD. Upon reading the book, Thomas realizes that after death, a person’s reincarnation is conceived exactly 53 days later in the same geographic area. Thomas returns home, determined to find his son Braden’s reincarnation. He looks up hospital records and figures out Braden’s reincarnation is a boy named René, who is now four years old, the same age as Braden when he died. Thomas tracks down René’s abusive father, who reveals his ex-wife took René to live in France. Thomas locates and befriends the lonely and neglected René. When René senses Thomas’ underlying sadness, Thomas reveals that he misses his son. René, who doesn’t remember his father, boldly asks if Thomas is his father. A conflicted Thomas responds that he is not. Heartbroken to see René’s disappointment, Thomas tells René that he knows his father very well, and that his father loves him very much and thinks about him every single day. Comforted, René tells Thomas that he must have been a really good father. Overjoyed, Thomas experiences catharsis and starts on his journey of healing that has been delayed for so long. Thomas returns home to his wife Sarah. For the first time in years, he sees her. The two reconcile and decide to move forward together. INCARNATIONS is a strong character- and idea-driven story about the world, science, and spiritualism, as well as an exploration of how people come to terms with their grief and arrive at hope. It’s a timeless story that explores questions that have remained deeply relevant throughout all of human history.
All Accolades & Coverage

INCARNATIONS is BLACK LIST ENDORSED/RECOMMENDED

Winner—2022-2023 Humanitas New Voices Fellowship
Top 10 Finalist—2023 Emerging Screenwriters Genre Screenplay Competition
Top 10 Finalist—2023 Emerging Screenwriters Sci-Fi & Fantasy Screenplay Competition
Second Round—2023 Austin Film Festival Screenplay Competition
First Place—2022 Rhode Island International Film Festival
Finalist—2022 Table Read My Screenplay Genre Screenplay Competition
Semifinalist—2022 Atlanta Film Festival Screenplay Competition
Semifinalist—2022 New York International Screenplay Awards
Semifinalist—2022 Filmmatic Inroads Fellowship
Quarterfinalist—2022 Nashville Film Festival Screenplay Competition
Quarterfinalist—2022 Shore Scripts Feature Contest
Quarterfinalist—2022 Screencraft Feature Screenwriting Competition
Quarterfinalist—2022 Screencraft Drama Screenplay Competition
Quarterfinalist—2022 Screencraft Sci-Fi & Fantasy Screenwriting Competition
Quarterfinalist—2022 Emerging Screenwriters Genre Screenwriting Competition
Finalist—2021 Creative Screenwriting Unique Voices Screenplay Competition
Finalist—2021 Philip K. Dick Science Fiction and Supernatural Film Festival
Top 50—2021 International Screenwriters' Association (ISA) Fast Track Fellowship
Semifinalist—2021 Nashville Film Festival Screenplay Competition
Semifinalist—2021 StoryPros Awards Screenplay Contest
Semifinalist—2021 International Screenwriters' Association (ISA) Drama and Genre Busting Screenplay Competition
Quarterfinalist—2021 Final Draft Big Break
Quarterfinalist—2021 Filmmatic Drama Screenplay Awards
Quarterfinalist—2021 WeScreenplay Diverse Voices (Fall)
Quarterfinalist—2021 Filmmatic Inroads Fellowship
Quarterfinalist—2021 Finish Line Script Competition
Quarterfinalist—2021 The Script Lab's Screenplay Contest
Semifinalist—2020 Atlanta Film Festival Screenplay Competition
Second Round—2020 Sundance Institute Feature Film Program
Semifinalist—2020 StoryPros International Screenplay Contest
Quarterfinalist—2019 BlueCat Screenplay Competition
Semifinalist—2019 WeScreenplay Diverse Voices (Spring)
Semifinalist—2019 Rhode Island International Film Festival
2nd Place—2019 Hamilton Film Festival
Finalist—2019 Peachtree Village International Film Festival Screenplay
Quarterfinalist—2019 Scriptapalooza Screenplay Competition
Quarterfinalist—2019 Shore Scripts
Top 100 Finalist—2018 Tracking Board Launch Pad
Finalist—2018 Screencraft Film Fund (Fall)
Quarterfinalist—2018 Screencraft Drama Contest

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The Writer: Albert M. Chan

I’m a Chinese-Canadian filmmaker and actor based in the United States, who was recently named a 2022-2023 Humanitas New Voices Fellow for work that “explores the human condition in a nuanced, meaningful way.” My work has also been recognized by the National Film Board of Canada and the Puffin Foundation. I bring a diverse set of identities and life experiences to my writing and filmmaking endeavors—a childhood in Canada as the son of Chinese immigrants, a Ph.D. from MIT in Electrical Engineering, 16 years of gay marriage to my husband, parenting two kids transracially adopted from birth, and an acting career working with the likes of Kevin Bacon, Helen Hunt, Liev Schreiber, Julia Stiles,… Go to bio
Albert M. Chan's picture