In post-Soviet Russia, a guarded American director and a fragile actress forge a silent bond during ‘Pride and Prejudice’ rehearsals, as their lives echo the play’s themes of love, pride, and longing.
Type:
Feature
Status:
For sale
Page Count:
132pp
Genre:
Drama, Romance
Budget:
Independent
Age Rating:
13+
Synopsis/Details
Patrick Herrinson, a once-prominent and cold American director, travels to a decaying theater in post-Soviet Russia to direct *Pride and Prejudice*. He aims to revive his artistic reputation but avoids emotional involvement. Among the cast, Inossensia, a raw and inexperienced yet brilliantly talented young woman, is cast as Elizabeth Bennet, and her silent presence breaks down Patrick’s emotional barriers. Rehearsals evolve into a space filled with meaningful silences and hidden emotions that go beyond dialogue. While Gloria, another actress, pressures him with competition and jealousy, the relationship between Patrick and Inossensia becomes more complex, overshadowed by pride, love, and unspoken feelings. Ultimately, the performance concludes without Inossensia’s presence, leaving unanswered questions in the minds of all. Genre: Drama / Psychological Romance Setting: Contemporary post-Soviet Russia — decaying theater spaces, cold apartments, broken streets. Language: English and Russian (bilingual) ________________________________________ Tone and Mood: Minimalist, lyrical, emotionally restrained. Inspired by the stillness and visual poetry of films by directors like Bergman, Kieslowski, or Zvyagintsev. Dialogue is sparse; the power lies in what remains unspoken. Music and silence both become storytelling tools.

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D. W. Stewart's picture

The Writer: Zahra (AZY) Yaghoubi

I'm a writer-director with a background in philosophy, exploring the intersections of existential thought, social behavior, and cinematic expression. My work often blends reality with surreal or symbolic narratives to investigate the tensions between individuals and the society they inhabit. My short films Maku , Unbrewed , and The Gun each reflect a distinct philosophical inquiry—ranging from the loss of meaning in modern life, to human immaturity in the face of suffering, to the generational transmission of unconscious violence. These films have screened or been nominated at international festivals such as Lift-Off Filmmaker Sessions and Ahmedabad International Film Festival. Working… Go to bio
Zahra (AZY) Yaghoubi's picture