A megalomaniacal genetic engineer transforms himself into a monster then discovers his humanity.
Type:
Feature
Status:
For sale
Page Count:
108pp
Genre:
Sci-Fi
Budget:
Independent
Age Rating:
Everyone
Synopsis/Details
Warren Lanac, a brilliant stem cell bioengineer, and narcissistic megalomaniac invents an organic solution that slows the aging process, extending life by hundreds of years. Legalities prevent him from conventional testing so, in his arrogance and in opposition to corporate mandates, he injects himself. His partner, John Barkis, finds out and they fight, resulting in a disastrous fire at the factory where Lucy, Warren’s daughter, inadvertently ingests the serum and evolves into a Neosapien: longer life, eats only live blood. Warren thought killed, hides at a secret shadow lab in the woods, where he discovers that a dosage error is slowly turning him into a revolting and deformed pariah. Family pressures compel Warren to research an antidote for Lucy, while more diabolical corporate forces work to commandeer the serum for commercial and political gain. Chased by an angry gothic mob, Warren encounters a blind priest who sends him down a path of introspection and enables him to evolve emotionally. No longer the compulsive, egoist, Warren elects to live out his prolonged life in solitude with his loving daughter. But the violent resentment of local inhabitants manipulated by the relentless appetite of corporate greed sets free a stockpile of serum near the headwaters of Niagara Falls. Come spring, the thaw portends a tide of evolutionary change across the world.
All Accolades & Coverage

Winner of Indy Boost Competition.
Everything that happens in THE NHUMAN is born out of the lead character (Warren) and his actions, so in that sense, because he’s so critical to every part of the story, it’s rather cool that he’s the type of character who remains unpredictable all throughout. Bottom line – during my first reading – I just never could anticipate where this story was headed, and at no point did I ever predict what was going to happen next. The ending is totally awesome with NICK being XXXXXXXXXXXXXXXXXXXXXXX (spoiler), and there’s a chilling sense of foreboding that’s given off by those final moments on the page – just imagine what a visually inclined filmmaker/storyteller might do with this stuff.
When Warren is XXXXXXXXXXXXXXXXXXXX, it’s genuinely nightmarish and absolutely revolting. Your description of what constitutes his body is awesomely nasty and I think that people would be blown away by seeing this fully done up either via photo-real CGI or man-in-suit or a combination of moth (or perhaps motion capture). It’s also NEW – the way you describe Warren after the “accident” and the serum has taken a hold – it’s genuinely creepy and NEW and I think special effects technicians would love to play around in this space. And again, you offer up something that feels fresh and original within the creature space – not an easy thing to do in this very-saturated marketplace!
The ideas of evolution and corporate greed are smartly balanced against the forward-moving mechanism of your story and your solid sense of narrative drive and urgency, and the big set-pieces of action are well-handled on the page. You have an excellent way with visual descriptions, so it’s always easy to get into your work on that level – and then when considered in terms of what a director might bring to the table – you have serious groundwork that feels ripe and ready to be exploited. I will say that there’s a bit of an “action lull” in the mid-section, and while it’s important to allow time for the story and the characters to breathe, you do want to always keep up that great sense of momentum that you build from the very beginning.
THE NHUMAN is one of those over the top yet still grounded ideas that works best when fully contemplated in terms of a large-scope narrative. The final 30 pages are packed with dramatic incident and the final moments are haunting in what the story is suggesting for all of humanity. I want to see this explored even further, possibly ramping up the conspiracy/corporate/government angle, and really drawing from all available resources.

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This Script Is Loved By 3 Readers

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The Writer: Scott JT Frank

The Other Scott Frank Working for the famed CBS series, 60 minutes, Scott Frank shot news features on three continents. He also worked with NHK, ABC, ZDF and other international networks, covering stories on international terrorism and the behind the scenes workings of a mercenary training camp. Early independent documentaries include THE GOLDEN SHER: Aging and the American Family, WOMEN OF IRON: a behind the scenes look at the evolution of the sport, and the award-winning AIDS: THE FACTS OF LIFE with Susan Sarandon, James Taylor, Iman. In partnership with Norman Jewison’s Yorktown Productions, Scott created and produced the 2 Showtime Feature Triptychs, PICTURE WINDOWS. Winner of an Emmy… Go to bio
Scott JT Frank's picture
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