House Divided
A couple reaps the consequences of a long held disagreement.

Most of us have held onto a grudge longer than we should, clutching it stubbornly when it might be easier to forgive and forget. But few have gone to the same lengths as the characters in Paul Knauer’s excellent script, House Divided.

The story follows Richard and Lizzy, an elderly couple living with a quirky setup. Like bickering siblings forced to share a room, they’ve split their entire house down the middle—right down to the very last detail.

INT. SMALL HOUSE – LIVING ROOM – DAY
Two of everything. TVs. Recliners. Side tables.

In fact, the room is split right down the middle, as marked with faded SPRAY PAINT across the aging carpet.

Richard pushes the front door closed. He heads for the

KITCHEN

Richard sets the groceries on the counter. The kitchen, just like the living room, is divided–there are lines everywhere.

The aging stove–split–two burners on each side of a line. The table. The counter. Everything divided by faded paint, weathered tape, whatever else was handy in the moment a long time ago.

Richard, standing left of a line on the floor, empties the bag, setting some of the food left of a line on the counter, some on the right.

He pulls out two cartons of milk, opens the fridge, where, yes–there’s a line down the middle. He places one carton left, one right.

As we follow Richard through his daily routine, we can’t help but chuckle at the absurdity and sheer dedication to this divided lifestyle. But make no mistake—this script isn’t all laughs.

When Richard finds Lizzy collapsed on the bedroom floor, he realizes she’s not on his side of the line.

LIZZY
Maybe call for help?

Richard hurriedly pulls a cell phone from his pocket. His hands shake as he tries to dial. In fact, they shake so badly, he drops the phone.

The phone bounces off the bed, lands at Lizzy’s feet–on the wrong side of the line.

His shoulders slump: This is bad.

She looks up. Her phone sits on a table, right of the bed. It’s not an option.

LIZZY
Stay with me?

RICHARD
Of course.

You’ll find yourself rooting—no, practically yelling! —for him to break through the invisible walls that they’ve maintained for so long. At first, Richard seems heartless for not immediately rushing to her side, but as the scene unfolds, it becomes clear that his reluctance is rooted in deep love and an abiding commitment to his wife. His adherence to her wishes and the boundaries they set together adds layers of tenderness to this seemingly absurd situation.

The simplicity of the setup allows the deeper themes of love, regret, and connection to shine through with heartbreaking elegance. If you want to know what happens to Richard, Lizzy, and their divided house, I strongly urge you to read Paul’s masterful script. You won’t regret it.

And that final shot? Genius! It perfectly encapsulates the emptiness that remains when we cling too hard to our divisions—both hilarious and deeply moving. With only two actors, minimal dialogue, and a single location, this is a filmmaker’s dream. You’ll just need a bit of imagination for that unforgettable final shot.