“Curtain Call" follows a touring company of a failing musical as they struggle with low ticket sales, insane crew members, and an unreliable cast.
Type:
TV Pilot
Status:
For sale
Page Count:
33pp
Genre:
Comedy, Music, Musical
Budget:
Independent
Age Rating:
17+
Synopsis/Details
“CURTAIN CALL” A Half-Hour Series Bright lights. Glamour. Memorable lines. Talented actors. Every theatre production has them. Or...do they? “Curtain Call” is a new half-hour mockumentary/comedy series that follows a touring company of a failing musical as they struggle with low ticket sales, insane crew members, and an unreliable cast. “Curtain Call” provides the opportunity for a wide range of diverse characters, with the vision of the cast consisting of LGBTQ+ and POC. Each week, “Curtain Call” will follow the touring company from the eyes of River Elway, the musical’s lead actor, as he attempts to survive the tour. Oscar, the brave leader, Logan, the outgoing outcast, Shelby, the woman with a plan, Sparkie, the woman of mystery, Dallas, the precocious understudy, Marley, the talented wallflower, and Kirby, the childish producer will also be interviewed so that they can all “spill the tea” on each other, as millennials like to say. There will be either a musical or dance number in every episode, allowing each character the chance to crash and burn in spectacular ways. There will also be the chance for each character to experience growth, but whether it’s for their own benefit or not is really up in the air. With a script this horrible, the only way to go is up, right? It’s a series for everyone that tells them that they should learn to help others and work together to reach their goal. Through it, they are able to explore the community, the world, that is theatre and everything that entails. The show could also demonstrate a social experiment of sorts – with these many egos of varying degrees in one room something’s bound to happen. “Curtain Call” is like the newly discovered, long-lost cousin of “Parks and Recreation” and “What We Do in the Shadows,” but don’t demand a DNA test to confirm. It showcases the reality in attempting to build a family with interesting personalities in a high-stress work environment. The show centers around the ideal that elementary gym teachers attempted to drive into their students’ under-developed brains – working together and supporting each other will help them reach their goal. But hey, what do they know – they’re fairly certain that they were barely-functioning alcoholics.
All Accolades & Coverage

"What immediately stands out is the likability of the characters. This is a wonderfully colorful cast, and one of the joys of the script is reading through their everyday interactions. They're a lively bunch with distinct personalities, and it's a testament to the writing that so much entertainment can be mined through even seemingly mundane interactions. It's so important for each character to have distinction and niche in a comedy like this, and the writer does well to fill out the cast with a diverse group in terms of look, voice, and worldview without relying exclusively on old tropes of the genre. This script is certainly a comedy, but it feels very fresh." - New York International Screenplay Awards judge

"The premise is relatable and compelling. You introduce the conflict clearly and early on, which is so important for a pilot. Although you have a lot of characters, each one still feels distinct, unique, and interesting in his or her own way. Although they have the same goal of putting on a great show, they also have their specific goals on the side. You have some clever and witty lines of dialogue. Great job!" - WeScreenplay Analyst

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The Writer: Kate Harbert

Kate Harbert hails from Arlington, Texas, home of the Dallas Cowboys (confusing, I know) and the original Six Flags theme park. The daughter of average suburbanites, she found escape from the crushing humdrum of the Southern drawl life through the films of Guy Ritchie and Leslie Dixon. Inspired to become a unique filmmaker, she dedicated herself to learning the norms of the industry so that she might break them more fully and artistically. Forced to take a job at a bank in order to save up enough money for film school, she turned her attention to screenwriting, hand-scribing her first feature-length screenplay in between costumers. After nearly three years, she was able to afford the… Go to bio
Kate Harbert's picture