Life During Wartime - Pilot

At the height of 80’s AIDS hysteria, Patrick “Puck” Dunne is fired from his first big acting job suspected of having HIV. Irate, he retaliates and hurls a cup of urine at the director, which ends his acting career and sends him on an all-night bender. Falling off the wagon is the least of his problems, when his empathetic ex kicks him out. With nowhere to go, Puck flees to Palm Springs to seek refuge in his estranged, mother Gwen’s trailer park. Upon arrival in the desert, he’s confronted by the tyrannical HOA president, Lucinda, and learns his mother has suffered a stroke and is being cared for by Kingston, her live-in nurse. Tempers flare with Puck’s drinking and he continues to run-up against Lucinda and the HOA with his confrontational antics and outrageous behavior. He does find some sympathy while out one night, when he encounters Charlotte, a 93 year-old pothead and former silent film star, who extolls her extensive wisdom while handing out incredibly potent joints. In fact, the entire community is inhabited by a D-list of colorful, Hollywood has-beens in their twilight years. Puck just can’t stop feeling sorry for himself and when he’s trusted to care for his mother, he screws up and she’s sent to the hospital with pneumonia. Feeling like he’s a failure, he gets drunk and ends up floating, face down, in the community pool, rescued in the nick of time by a mysterious, gender non-specific person, named Halcyon. Our season finds Puck struggling with his sobriety, while trying to keep it together and not end up on the street. His ongoing battle with Lucinda and her HOA acolytes, being at constant odds with Kingston, dealing with his mother’s deteriorating condition, all while finally facing with his own health and HIV status, takes Puck from a place of desperation to a place of hope, with something to fight for. 
We also meet the trailer park inhabitants, such as Lucinda, an Ida Lupino type, whose only aspiration was to direct movies in a world of men; Alvin, a former vaudeville hoofer and his dog, Rocket; Betty, a screen starlet whose career was destroyed because of a studio-arranged abortion; Eiko, a Japanese-American actress, who career tanked due to her ethnicity and the aftermath of WWII; Gwen, Puck’s mother, who was Esther Williams’ stand-in and a background bathing beauty; Irving and Shirley, a dancing duo, who waltzed their way through MGM musicals but never made the big time; Yolanda, the most gifted actress of the bunch, but was never given any roles aside from walk-ons and playing servants. Puck makes friends and foes during his journey to healing, and discovers everyone has something meaningful to teach him and through their interaction he finds a reason to live.