Lily and the Ladies by R. J. Cardullo | Script Revolution

Lily and the Ladies

Lily Daw is presented with two choices in life: a mental institution or the institution of marriage; in the end, neither seems palatable to Lily—who may not be as feeble-minded as her guardians think.

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Page Count: 
20pp

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Based On: 
“Lily Daw and the Three Ladies” (1937), a short story by Eudora Welty.
Synopsis/Details: 

Lily Daw is an orphaned, mentally disabled, and sexually mature young woman who lives by herself but is watched over by three socially prominent women in a small Mississippi town. On the day the action transpires, in the mid-1930s, this trio plans to send Lily off to what they hope will be better care than they can provide—at the Ellisville Institute for the Feeble-Minded. But when the ladies visit Lily at her home, they discover that she was out on a date the previous night with a xylophone player from a traveling show. Lily promptly announces she is going to marry the man, this very day; the women are shocked and worried, though Lily seems quite happy. How should her guardians respond? What will best serve Lily?

The ladies have grounds for concern, because Lily has always had an odd imagination; she was abused by her biological father; and the fiancé she describes is a “show fellow.” One thing seems clear to the three women: the faster they can get Lily committed, the better. They win her over to their point of view and board the train to Ellisville, only to be met at the station by the xylophone player—who actually wants to marry Lily. Now Lily demurs and the ladies wholeheartedly consent; they disembark from the train; and one of the women calls her husband, a Baptist preacher, so that he can come to the station waiting-room to perform the wedding ceremony. There’s only one problem: Lily’s cherished “hope chest” has not been unloaded from the train, which has already departed.

Submitted: December 4, 2020
Last Updated: December 4, 2020

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R. J. Cardullo's picture

The Writer: R. J. Cardullo

A former university film teacher, I turned to screenwriting several years ago. I have also written film criticism for many publications. A New Yorker by birth, I grew up in Miami and was educated at the University of Florida, Tulane, and Yale. My last U.S. address was in Milford, Connecticut; I am now an expatriate residing in Scandinavia. Many of my scripts (both long and short) are adaptations of lesser-known works by well-known authors. I am happy to re-write, collaborate, or write on demand. Thanks kindly for any attention you can give my work. Go to bio

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