Suburban America, 1977. A middle-aged man is visited at his home by an older photographer with prosthetic hooks for hands. The photographer wants to sell the homeowner a picture of the latter's house. The homeowner seems to be obsessed by the fact that the visitor has hook hands, and invites him into his house partly to see how the hooks will hold a cup of coffee. Both men subsequently reveal that their families have left them. The homeowner then suddenly decides to have the hook-handed man take more pictures of the outside of his house—and of himself with it. At the end, the homeowner climbs onto the roof so that his picture can be taken: in motion, as it were, as he jumps up and throws a rock off the roof.