Film Noir. Los Angeles, 1947. A private detective struggles with moral inequities as he assists a corrupt federal judge's efforts to contact his estranged, gay son.
Type:
Feature
Status:
For sale
Page Count:
95pp
Genre:
Film-Noir
Budget:
Independent
Age Rating:
13+
Synopsis/Details
Film Noir: Hollywood, 1947. Private detective Vic Manning, in his search for a young gay man, must deal with intolerance, prejudice, and corruption as he enters the dark, hidden underworld of forbidden sex and vice; only to discover a sinister conspiracy involving blackmail, extortion, and murder being conducted for political gain, that reaches to the highest levels of government.
All Accolades & Coverage

SEMI-FINALIST: FEATURE CRIME SCREENPLAY: 2025 LOS ANGELES CRIME AND HORROR FESTIVAL
FINALIST: 2023 LONELY WOLF INTERNATIONAL FILM FESTIVAL (LONDON)
FINALIST: BEST FEATURE SCRIPT: SANTA BARBARA INT. FALL 2022

RENO-TAHOE SCREENPLAY CONTEST SPRING 2021 - QUARTER FINALIST

COVERAGE - THE FILMMATIC SCREENPLAY COMPETITION 2020

Call me a sucker for noir, but this script had all the twists, turns, and escalating tension that I could have wanted. Behind the Veil knows exactly what genre it's operating in and makes sure to bring the entertainment not just through surprising plot points, but also through equally complex characters. The entire cast feels like it has real relevance to the narrative. Even minor characters see their actions have a direct role in shaping the story. It’s great seeing how consequential character choices are. It not only makes the world seem authentic, but it keeps coincidence and luck from removing all stakes from the plot. With a feedback loop of narrative affecting character motivation, which affects narrative - the story becomes engrossing.

Behind The Veil also does a good job of avoiding jarring anachronisms. While the setting and time period are a major draw for the script, they also come with a host of dangers. Misrepresentations of the technology, culture, worldview, or even manner of speech are obvious and require a lot of attention to detail on the writer’s part. Fortunately the writer is up for the task, littering the script with little details specific to the time period. The setting never becomes distracting with overly obtuse colloquialisms in the dialogue. Likewise, the action description doesn’t come off as an encyclopedic recitation of the era and its quirks. The setting serves as a backdrop and not the star of the show, which I appreciated.

I really enjoyed this script because of the way the narrative slowly unfolds into a greater, more intricate story. The writer is great at playing in the mystery genre, dripping out information and giving clues to even deeper mysteries. Pacing is a key factor here as the writer knows when to draw out a moment or write with greater urgency to convey tension. I quickly realized trying to predict the twists and turns of this narrative was futile, though the writer never relies on cheap tricks like luck or convenience to deliver its surprises. Everything is grounded in the internal logic of the story so that even the more objectively far-fetched plot points feel at home in the narrative.

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This Script Is Loved By 1 Readers

Nicholas Zingarelli's picture

The Writer: Gene Gwynne

I’ve had representation in the past, but am currently without representation, and am not a WGA member. I’ve attended seminars and classes by most of the screenplay gurus including Field, Segar, Freeman, among others; and attended workshops, classes, and lectures sponsored by The American Film Institute and the USC Cinema-Television Alumni Association extension program. I was optioned once by a major television producer. Go to bio
Gene Gwynne's picture