Former Scotland Yard Inspector John Hawkwood tries to redeem his dark past by working as a private detective in the idyllic Cotswolds in 1956, surrounded by a cast of equally quirky & unconventional characters.
Type:
TV Pilot
Status:
For sale
Page Count:
75pp
Genre:
Comedy, Drama, Mystery
Budget:
Shoestring
Age Rating:
Everyone
Synopsis/Details
What would the Father Brown series be like if it had a slightly more "devilish" detective-protagonist, more like a roguish fallen-angel (though likably so) rather than saintly like the Padre is, yet still striving to make up for his dark past by trying to do some good again. John Hawkwood (formerly of Scotland Yard) is a descendant of the infamous medieval knight and mercenary Sir John Hawkwood, known as "The Devil Incarnate" by his enemies because of his use of deceitful stratagems & brutal tactics in battle; a somewhat shameful family legacy that John's own highly-moral missionary parents hope to avoid, so they named him after his notorious ancestor with the hopes of teaching him how not to behave, which worked at first - that is, until he was ten years old and both his parents suddenly died from Cholera within days of each other while doing their missionary work. Embittered and alone, Hawkwood now saw God as the enemy, taking out good people like his parents while letting murderers and other villains live on. It was a belief that secretly fuelled his passion against injustice: he joined the Police and rose through the ranks quickly (thanks to his keen intelligence and sharp powers of observation) to become one of the youngest to ever achieve the rank of Inspector, and gained a reputation as one of the best and brightest at the Yard, with a sterling record and numerous Commendations for Bravery. It didn't hurt that he also happened to be the "Tall, Dark & Roguishly Handsome" type (a love child of classic Hollywood swashbucklers, Christopher Reeves' Superman and the cool & cheeky disreputability DC's John Constantine) with a dazzling grin and charismatic devilish charm. "Devilish" being the key word, since the "Devil Incarnate" part of his ancestor's legacy had unfortunately taken hold of his heart beneath that "Golden-Boy Prodigy of Scotland Yard" exterior. Though the villains he arrested himself were always convicted due to his own solid detective skills, he got tired of seeing criminals in other cases get off scot-free due to an imperfect justice system, so he made it his personal mission to make sure they eventually paid for their wrongdoings. One of Hawkwood's hobbies was the study of magic tricks, with sleight-of-hand and misdirection being his specialities (a bit of a clue if anyone had thought to look closer, since deceptive strategies were also his notorious ancestor's speciality), which he claimed were actually "useful skills" for Police work. But they also happened to be useful skills for his other moonlighting job, namely secretly moonlighting as a vigilante who tracked down and executed villains who'd slipped through the net. It took a while for his shadow activities to be found out since he was hiding in plain sight behind his sterling reputation, but eventually he was arrested and sent to prison for his crimes. While he awaited his own date with the gallows, Hawkwood began to feel genuinely contrite about his actions and decided the only way to make amends was to escape from prison (using the impeccable lock-picking skills he'd learned as an amateur magician) to help save the life of the Inspector who'd originally arrested him (and whom he'd also tried unsuccessfully to recruit for his vigilante cause) from a gang of villains far worse than Hawkwood himself had ever been. In gratitude for saving his life (as well as the lives of several innocent civilians), the Inspector helped get Hawkwood a reprieve from the gallows, if not from prison itself - he still needed to serve time for his past crimes. But from that point on, Hawkwood continued to lend his particular expertise to his Inspector friend, (whether he actually wanted the help or not) by escaping a few more times and using his unconventional strategies to help him catch even more elusive villains (only without killing them now). Ironically these well-intentioned prison-escapes helped prove that he had genuinely reformed, so Hawkwood was given an early pardon with the recommendation of that same Inspector whom he'd "assisted." But now he had to find another way to continue his pursuit of justice since he couldn't go back to being a Copper and no longer was the killer vigilante he once was, either. He decided to become a private detective, but wasn't quite sure where he wanted to set up "shop", since he didn't want the more brutal crimes of the big-city villains to tempt him back into his darker vigilante ways. He quietly relocated to one of the larger market towns of the Cotswolds, Wintergreen-on-the-Wold ("Gateway to the Cotswolds", as the town sign says), which was just big enough & close enough to the city of Gloucester to draw a bit more criminal activity to it and give him more work as a detective; yet it was also still small & idyllic enough to give him the peace of mind he's looking for to continue with his ongoing struggle back to the light. Though he's been asked by the local coppers (well aware of his past and keeping a close eye on him) why he didn't chose to settle in the Cotswolds village where the Inspector who saved his life & helped get him the pardon is posted, (since they allegedly became friends) he's been rather elusive about his reasons as to why he didn't. Hawkwood now often works with the local Wintergreen constabulary, led by Inspector Wellman, showing up at the latest murder investigations with uncanny timing and an annoying habit of charming his way in anywhere & with anyone (both women and men) with his affable manner. He's also slowly getting attached to some of the quirky locals who also somehow usually get involved in the murder cases as well.
All Accolades & Coverage

Semi-Finalist in Santa Barbara International Screenplay Awards, 2022
Notes from a fellow writer/reader:
"Creating Wintergreen-on-the-Wold is a great way of maintaining the bucolic 'Merrie England' of Father Brown, while building a new geography and cast of characters to inhabit this charming (yet murder-strewn!) village.
The mid-50s offers fertile ground for the coming clash of ancient and modern; the older generation having lived through two world wars, and the younger one wanting to embrace change and make a new world. In 1956, we're just one year into the joy of commercial television, and two years away from the now squeaky-clean Cliff Richard being marketed as the UK's edgy answer to Elvis, (often appearing on the same bill as The Rolling Stones.) Wild times!
Characters:
Hawkwood is indeed the matinee idol / fallen angel; a magnet that both attracts and repels. Perhaps a sometime ally to Wellman and definitely thorn in the side of Burnham. Both of these new characters are an well-drawn, with credible backstories that will provide interesting story arcs in the future.
It's a pleasure to meet Adelaide Gale, a capable gal in the vein of Bunty, with echoes of Gina Dawson (in the BBC's 'WPC 56' 2013 – 2015.) Female police officers did have a tough time being accepted as co-workers in the then male- dominated police force, so she's doing well to hold her own. I can see her quirky filing system being brought into play when solving murders and I hope to see her 'out in the field' and really getting stuck into an investigation.
I think the Prossers are going to provide much comedy. Tongue-tied, Bible- dropping Orville couldn't be further removed from fellow man of the cloth, FB, and the unashamedly Bohemian, Prue, would make Lady Felicia blanch and shock Mrs McCarthy to the marrow!
Story:
An excellent 'cold open.' There's nothing like discovering a corpse to bring 'the hurly-burly of the chaise longue' to an abrupt halt.
Dormer's murder during a house party at the manor gave Hawkwood and the police department plenty to work with; Major Lyons and Marcus Dearing providing the butting heads of Establishment versus the Beat generation.
I think Hawkwood will prove an excellent launch-pad in your quest to secure representation."

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The Writer: Karen Simmons

I have worked as both a Production Assistant and Story Assistant on various television show productions, while also working on my own tv spec scripts over the years. I've also been ghost-writing for my husband, Eddie Pepitone, who is a stand-up comedian/actor, having written many jokes, online videos, sketches, co-written on his one-man stage shows, and wrote an award-winning mockumentary short film that he starred in called "Runyon: Just Above Sunset" (which won Best in Show at the L.A. "Mockfest" film festival in 2011, among other awards). I was part of a writer's room for the David Feldman Comedy podcast (a sort of cross between "SCTV" and Garrison Keillor's "Prairie Home Companion") for… Go to bio
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