
Synopsis/Details
All Accolades & Coverage
TRIPPING WITH GEOFFREY ODELL DONALDSON
The script offers a refreshing blend of humor and thought-provoking ideas, making it both an entertaining
and engaging read. The dynamic between Michael and God displays banter that is genuinely funny and
clever, evoking somewhat of a friendly bond, with jokes that feel organic and well-integrated into the
storyline. The use of religious motifs and symbols made the story all the more authentic; things like
Michael’s name and his purpose coming to fruition as an escort. The script’s tone and humor are
reminiscent of works like Bruce Almighty, American Gods, and The Good Place, with a unique twist that
sets it apart. The premise is intriguing, presenting a compelling underdog story, through Michael, that
immediately grabs the audience's attention. The script’s pacing and approachable style makes it a well
paced read. Additionally, the script’s creative take on big themes, like the difference between what is
morally right and wrong, the search for one’s purpose, the growing stigmas surrounding religion keeps the
narrative captivating, providing moments of both laughter and reflection. This balance between comedy
and deeper meaning highlights the script’s strong potential to resonate with a broad audience, while also
sticking to the core demographic it is speaking to, older religious people. Another thing that was
interesting was this idea of not having one set antagonist, by doing this the writer communicates this idea
of individualism within religious faith to the audience. There are good and bad people everywhere in life,
the writer shows us through the people Michael meets like Peter, Juan Barrios, or even the husband who
hits him in the bar.
It seems God should be beyond manifesting himself in front of any human being, and while the humor
and premise are strong, there may be opportunities to further develop certain aspects of the world to create
an even more immersive experience. For example, it is not so clear when and where the story is taking
place; it is implied but never made explicit, especially the time period. The places Michael and God visit
definitely feel real but the time they exist in is never super clear. Adding on to what the world already is,
would help solidify the script’s identity alongside its strong comps like The Good Place and Bruce
Almighty, which are unique particularly for something that is overlooked: their setting. Bruce Almighty
takes place in Buffalo, NY which has a heavy Catholic population. Also, the end goal is not made clear
until the end, a bit of foreshadowing would do well; showing the audience the end goal without explaining
it would provide good build up throughout the story and payoff in the end. Introducing the little boy as a
separate storyline that continues in small beats throughout the script would help the overall narrative
connect all together at the end.
By refining the formatting, specifying the setting, and cementing another storyline that only focuses on
the boy in the end, your script will be better positioned to shine, standing out as both a creative and
well-crafted piece of work.
For additional information or further guidance, reach out to info@getitmade.la or schedule a call with a producer.