A depressed insurance agent discovers that the new mail clerk is not only God but needs him to go on a wacky road trip to fulfill a heavenly mission.
Type:
Feature
Status:
For sale
Page Count:
102pp
Genre:
Action, Comedy
Budget:
Independent
Age Rating:
13+
Based On:
Tripping With Geoffrey Odell Donaldson - a novel
Synopsis/Details
Michael is a bored, middle aged insurance clerk who thinks his life sucks. His customers bitch bitch bitch. He's not rich, he does not have a super-model girlfriend, and he feels like a nobody. His life is very blah. Michael, was raised in a religious family and while he does not attend church, mostly out of guilt, he says a morning prayer which turn into a self-pity party. Suddenly, during these prayers, the new mail clerk from work, Geoffrey Odell Donaldson, starts showing up. Michael keeps kicking Geoffrey out of his house but he keeps coming back. Michael complains to authorities at work but they say there is no Geoffrey Odell Donaldson. During one of these prayer visits, Geoffrey reveals to Michael that he is God and wants Michael to do more in life and quit complaining about his finances and used car. Geoffrey says Michael is better off than half the world. Michael is not 100% sure about Michael, a bored, middle-aged insurance clerk who thinks his life sucks. His customers bitch. He's not rich. He does not have a super-model girlfriend and he feels like a nobody. His life is very blah. Michael was raised in a religious family and while he does not attend church, he says a morning prayer which turn into a self-pity party. Suddenly, during these prayers, the new mail clerk from work, Geoffrey Odell Donaldson, appears in his bedroom. Michael complains to authorities but they say there is no Geoffrey Odell Donaldson. During one visit, Geoffrey reveals that he is God. Geoffrey tells Michael that he has it good and to quit complaining. He tells Michael he needs start living. Michael finally agrees that Geoffrey may be right so starts by going on a date with a co-worker. The date is a disaster because Geoffrey joins them (she can't see Geoffrey) and Michael is distracted. Afterwards, Michael is falsely arrested for stalking an Amish woman and the responding police mistake Michael for a notorious criminal, The Blah Robber. Geoffrey, acting as a lawyer, clears Michael. Now, an AWOL-from-work Michael is almost fired and then has a near near melt-down. Geoffrey pushes Michael into a road trip to the Grand Canyon for mental health purposes and because Geoffrey has an undisclosed mission-from-God for Michael. The trip's stops include the Rock and Roll Hall of Fame, (Yes, Brenda Lee should be out, the composer Franz Liszt should be in), a Chicago bar where all the women start appearing as the famous actress, Jessica VanSaunders, a Tulsa soup kitchen where where Michael denies knowing Geoffrey, Amarillo where Michael is saved from an upset cowboy by MMA-loving librarians, outside Amarillo where Michael disarms a mugger by finally admitting to knowing Geoffrey. Once they get to the Grand Canyon, Michael is kidnapped by sight-seeing members of a Mexican drug gang because they think he is the rival gang leader, El Blah. They drive him him across the state in Michael's stolen and the-radio-will-only-play-Liszt car to deliver him to their leader. Michael tells the gang members that he is just an insurance clerk from New York and they can change their life if they just turn to Geoffrey. However, the message is not being received. Michael is taken out into the desert to be executed. Michael escapes the execution because of a lucky encounter with rattlesnakes and captures the gang leader by techniques learned from the MMA librarians as well as a well-placed kick to the leader's nads. Just as Michael gets the gang leader into his car, a Russian gang exchange student, gun drawn, jumps into the front passenger seat. She asks Michael questions that indicate Michael's message has gotten through. Satisfied, she gives him a big, romantic kiss and they haul the gang leader to the police. (At the police station, Geoffrey is helping out as the desk sergeant.) With the gang leader in custody, Michael realizes he has done mighty things that he would not have thought he could do weeks earlier. However, Michael finds out his mission was not to fight crime, or feed the poor, or save damsels in distress but to do something that will have a lasting effect on mankind and change world history, take a certain truant kid with great potential to school. “You almost get me killed just so I can take a kid to school?” Michael dutifully arranges that and returns to work where Geoffrey and three other mail clerks show up at his desk. Uh oh.....
All Accolades & Coverage

TRIPPING WITH GEOFFREY ODELL DONALDSON
The script offers a refreshing blend of humor and thought-provoking ideas, making it both an entertaining
and engaging read. The dynamic between Michael and God displays banter that is genuinely funny and
clever, evoking somewhat of a friendly bond, with jokes that feel organic and well-integrated into the
storyline. The use of religious motifs and symbols made the story all the more authentic; things like
Michael’s name and his purpose coming to fruition as an escort. The script’s tone and humor are
reminiscent of works like Bruce Almighty, American Gods, and The Good Place, with a unique twist that
sets it apart. The premise is intriguing, presenting a compelling underdog story, through Michael, that
immediately grabs the audience's attention. The script’s pacing and approachable style makes it a well
paced read. Additionally, the script’s creative take on big themes, like the difference between what is
morally right and wrong, the search for one’s purpose, the growing stigmas surrounding religion keeps the
narrative captivating, providing moments of both laughter and reflection. This balance between comedy
and deeper meaning highlights the script’s strong potential to resonate with a broad audience, while also
sticking to the core demographic it is speaking to, older religious people. Another thing that was
interesting was this idea of not having one set antagonist, by doing this the writer communicates this idea
of individualism within religious faith to the audience. There are good and bad people everywhere in life,
the writer shows us through the people Michael meets like Peter, Juan Barrios, or even the husband who
hits him in the bar.

It seems God should be beyond manifesting himself in front of any human being, and while the humor
and premise are strong, there may be opportunities to further develop certain aspects of the world to create
an even more immersive experience. For example, it is not so clear when and where the story is taking
place; it is implied but never made explicit, especially the time period. The places Michael and God visit
definitely feel real but the time they exist in is never super clear. Adding on to what the world already is,
would help solidify the script’s identity alongside its strong comps like The Good Place and Bruce
Almighty, which are unique particularly for something that is overlooked: their setting. Bruce Almighty
takes place in Buffalo, NY which has a heavy Catholic population. Also, the end goal is not made clear
until the end, a bit of foreshadowing would do well; showing the audience the end goal without explaining
it would provide good build up throughout the story and payoff in the end. Introducing the little boy as a
separate storyline that continues in small beats throughout the script would help the overall narrative
connect all together at the end.

By refining the formatting, specifying the setting, and cementing another storyline that only focuses on
the boy in the end, your script will be better positioned to shine, standing out as both a creative and
well-crafted piece of work.

For additional information or further guidance, reach out to info@getitmade.la or schedule a call with a producer.

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The Writer: David Buffum

I am a writer from northern Michigan. I grew up in a small town where farming and tourism are kings. I appeciate a good story that makes you think and has a message. People say I am great at dialogue which draws the viewer in and keeps them engaged. Go to bio
David Buffum's picture