Inspired by Poe's "Masque of the Red Death": Fleeing a deadly pandemic, a security advisor infiltrates a luxurious floating city, hoping to find peace – but a friend’s needless execution forces them to take action.
Type:
Feature
Status:
For sale
Page Count:
117pp
Genre:
Fantasy, Horror, Sci-Fi, Thriller
Budget:
Blockbuster
Age Rating:
17+
Based On:
inspired by Edgar Allan Poe's "The Masque of the Red Death"
Synopsis/Details
*The Abbey*, a fantasy, sci-fi feature, is an opulently decadent retelling of Poe’s The Masque of the Red Death. However, instead of being set in the past within “a castellated abbey with strong, lofty walls and gates of iron”, the story is set in the near future aboard a luxurious city, floating in the Pacific Ocean. Unlike Poe’s mood piece, *The Abbey* broadens its focus out from 'Prospero and his court', to include the lives of the indentured people who serve the billionaires. It does this by following Iris Iranatu, a new arrival at The Abbey, along with her new employer and his retinue. Iris is a Security Executive working for Alonso, a boorish, arms dealer with feelings of inferiority. Her first task is to protect him and his retinue by preventing him from becoming entangled in the political struggles between The Abbey’s designer and CEO, Prospero, and the leader of a group of disgruntled investors, Hertog. She fails. Soon after Iris talks Alonso out of charging his bonded consort, Titania, with treason, he has his personal chef arrested for the same crime. The chef is then executed before she can intervene. Distraught by the senseless death, Iris begins planning the overthrow of The Abbey’s power structures. On her dangerous journey, audiences will be become immersed in the world of The Abbey, and meet an intriguing array of characters from among the indentured workers, the associates and their billionaire masters. *The Abbey* is about class and how the exceedingly wealthy use their power to maintain their position in society, while ignoring the needs of the very people responsible for creating the wealth they now hoard to themselves. This division between those who generate the wealth and those who claim it, is an issue with which today’s audiences are becoming increasingly aware. Particularly as many of them find themselves ensnared within their own ‘abbeys’. *The Abbey* does not shy away from Poe’s bleak ending, however it does allow Iris to triumph over the billionaires. This short-lived victory gives audiences the win they desire, while also suggesting that, perhaps if the billionaires had been neutralised sooner, things may have been different. Possible parallels between the world of The Abbey and humanity’s current situation, will be left up to audiences to determine and discuss. --- learn more in the PITCH DECK – see below

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The Writer: Robert Bruinewoud

Melbourne, Australia 1982. I submit my first "screenplay" (and I use the term very loosely) to the BBC. It was a hugely expensive Doctor Who saga. Needless to say, it wasn't picked up. You can read all about it here . Now, I’ve been advised that the above is not the way to sell myself as serious writer. I’m not sure why. The fact that any screenwriters’ first screenplay doesn’t sell is, I would’ve thought, to be expected and so not something anyone should hide. Nor is the fact that I’ve been writing screenplays (off and on) for forty years, something to be shy about. During that time I had my paying job (graphic designer and advertising art director) distracting me, but over those years I… Go to bio
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