A troubled, reclusive writer, lost in a spiral of self-destructive illusions, is confronted by an unseen and brutal force of nature, forcing them to confront the sins of humanity.
Type:
Short
Status:
For sale
Page Count:
10pp
Genre:
Horror, Thriller
Budget:
Independent
Age Rating:
17+
Synopsis/Details
The film opens with an idyllic, sunset-drenched scene of a serene neighborhood, as a solitary figure, Humanity, gazes out their window, blissfully unaware of the chaos lurking beneath the surface. This false peace is shattered by the arrival of an unseen presence: Death. Death's voice-over begins a relentless verbal assault, challenging Humanity's naive worldview and forcing them to confront their denial. As Death's words take hold, the setting shifts dramatically from a peaceful sunset to a raging storm, a manifestation of the internal battle. Humanity attempts to shut out Death's influence with vices like whiskey, cigarettes, and TV, but Death corrupts each of these seemingly simple comforts, turning them into horrifying reflections of the world's depravity. The psychological torment intensifies as Humanity is trapped in their room, unable to escape Death's influence. Death forces them to confront a series of brutal visions: images of war, racial violence, and interviews with serial killers. The conflict escalates as Death exposes Humanity's hypocrisy, revealing that their "love of life" is just a facade for a deep-seated addiction to gossip and a craving for the very chaos they claim to despise. The physical world begins to warp, with a shocking sequence in the bathroom where blood drips from a mirror, and skulls—representing the victims of human cruelty—clatter to the floor. The dialogue between Humanity and Death becomes a desperate theological and philosophical debate, touching on topics like child abuse and the nature of consent. Humanity is at its breaking point, slapping themselves and praying to "wake up" from this nightmare.

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The Writer: Bernard Mersier

Born and raised in Detroit, Michigan. Some of my work that's been produced include two stage plays. "The same woman in me." "Family abuse" which is also part of an anthology I've written titled "Mirrors with no images." The feature film I have in production is titled "The heartbreaker.” Go to bio
Bernard Mersier's picture