A deranged necrophiliac, convinced he's the victim of betrayal, embarks on a grotesque "threesome" with two corpses, blurring the lines between love, madness, and the ultimate violation of death.
Type:
Short
Status:
For sale
Page Count:
5pp
Genre:
Horror, Thriller
Budget:
Independent
Age Rating:
17+
Synopsis/Details
"The Etiquette of a Necrophiliac: The Sequel" plunges into the depraved world of Dennis, a man whose sanity has completely unraveled. Convinced his deceased lover was unfaithful, he orchestrates a bizarre and horrifying "threesome" with her bisected body and the severed head of another man. The film is a chilling exploration of his twisted logic, as he navigates a delusional landscape where the dead are active participants in his grotesque fantasies. The film opens with Dennis, butt-naked and blood-splattered, huddled in a corner of a bathroom, muttering to himself as if conversing with an unseen entity. His monologue reveals his deep-seated paranoia and delusion about his deceased lover's infidelity, setting the stage for his macabre plan. The audience is immediately immersed in his disturbed mind, witnessing the unsettling drip of a faucet echoing in the blood-soaked room, amplifying the oppressive atmosphere. Dennis begins to act on his deranged vision. He retrieves the severed head of a man and interacts with it as if it were a living confidant, discussing the "etiquette" of their impending "threesome." He then approaches the woman's bisected body in the blood-filled bathtub, revealing the horrific extent of his actions. The "threesome" commences, a disturbing sequence of events where Dennis engages in sexual acts with both corpses, all while maintaining a delusional conversation, convinced he is righting a perceived wrong. The climax of Dennis's depravity sees him fully immersed in his fantasy. He climbs into the tub with the corpses, pulling them closer, and continues his grotesque acts, including tongue-kissing the man's severed head. The film concludes with a chilling fade to black, leaving the audience with the unsettling question: "What is love without etiquette?" This final thought underscores the film's transgressive nature and its exploration of the darkest aspects of human desire and delusion.

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The Writer: Bernard Mersier

Born and raised in Detroit, Michigan. Some of my work that's been produced include two stage plays. "The same woman in me." "Family abuse" which is also part of an anthology I've written titled "Mirrors with no images." The feature film I have in production is titled "The heartbreaker.” Go to bio
Bernard Mersier's picture