A ball of light strands two Black deacon couples — and their 2025 electric SUV — in Jim Crow Alabama, 1946, where the only thing that can wound the spirit hunting a young guest preacher is the future they unknowingly carry back with them.
Type:
Short
Status:
For sale
Page Count:
84pp
Genre:
Sci-Fi
Budget:
Independent
Age Rating:
13+
Synopsis/Details

In a gripping journey blending supernatural elements with historical intricacies, four African American friends from Charlotte, North Carolina, encounter an unforeseen twist of fate that hurls them into the heart of 1950s America. John and Suzan Stark, along with Perry and Catherine Torrent, find themselves ensnared in a temporal anomaly while driving to New Orleans for a weekend religious event, catapulting them back to 1954 Birmingham, Alabama, amidst their journey.

Driving in the dead of night in their 2025 Lincoln Navigator, the group's serene trip is disrupted by a mysterious pale blue light. This encounter leaves John blinded and their modern technology futile, with no cell phone signal available. With dawn breaking, the reality of their situation becomes alarmingly clear as the surroundings morph into a bygone era, with vintage automobiles and attire straight out of the 1950s painting the landscape of a world they no longer recognize.

Despite their initial disbelief, it becomes evident they have inexplicably traveled back in time. With John's vision lost to the incident and their vehicle's out-of-place advanced technology drawing unwanted attention, they seek refuge, hiding the SUV and shedding any modern accouterments. John theorizes their predicament stems from passing through a wormhole linked to the earth's ley lines, a concept as bewildering to his friends as their current circumstances.

The harsh reality of segregation and the societal norms of the 1950s confront them at every turn, forcing them to navigate this unfamiliar and unforgiving era with caution. Their situation grows more dire as they realize the limitations of their resources: their money is outdated, their identities non-existent, and their reliance on a vehicle incompatible with the available fuel.

It is just after two in the morning on Interstate 20 West. JOHN STARK drives a 2025 electric Lincoln Navigator south toward a church convention, his wife SUZAN asleep in back beside CATHERINE “BAYE” TORRENT while Catherine’s husband PERRY rides shotgun. They are deacons — working people on the unglamorous leg of the trip while their pastor flew ahead. Near Moody, Alabama, at the Cahaba River, John notices a pale-blue light hanging over the empty highway. It dives, bursts against the windshield, and floods the cabin. The SUV fishtails to a stop. When the others wake, John is blind.

The wrongness stacks fast: no cell signal, no satellite data, a ring of dead grass around the vehicle, and an interstate that has become a narrow two-lane blacktop. By sunrise the road fills with gleaming antique cars driven by white men and women in period clothes who stare as they pass. A roadside sign reads NO COLORED. At a garage, a Black attendant confirms it without ceremony — it is August 17, 1946. They have fallen nearly eighty years, into the Deep South, in a machine that screams the future from every panel.
Survival becomes the work. They hide the Navigator in the woods, strip every anachronism, and walk into town, where a banknote from their own time nearly gets them jailed as counterfeiters and John lays out the etiquette that will keep them alive. When they return to the SUV, the woods around it have died — a thirty-foot dome of instant decay where the anomaly came back, found them gone, and left without them. John works out the rule: the vehicle is their anchor, the thing the correcting force recognizes, and to get home they must be with it when the light returns.

Seeking help the only way they know how, they find a small Saturday-night church service. Inside, John alone sees a gaunt figure in a black hat that no one else can — until he grips Catherine’s wrist and she sees it too. The figure breathes a single word, SLEEP, and the whole congregation drops where they stand. Only the four travelers, out of sync with this time, stay awake. The spirit — a Haint — has hunted the young guest preacher since childhood, trying to bargain him out of his calling. When it turns on the travelers, Catherine answers with Suzan’s Glock: future-made rounds that burn a thing no period weapon can touch. A rain-soaked chase follows, ending when Perry drives the full weight of the electric SUV through the creature and it shatters into light.

The travelers wake in the field beside I-20, home, the dashboard reading 3:01 AM — no time lost at all. Only memory proves it happened. Then a handbill slips from Suzan’s purse, the one an usher had pressed into their hands. Catherine reads the bottom line aloud, and the car goes silent. The young preacher they shielded with their bodies and a borrowed pistol had been billed all along, in his very first sermon, all the way from Atlanta: Martin Luther King, Jr.

They didn’t get lost. They were sent.

TEXT TRAILER:

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AUDIO TRAILER:

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The Writer: J. Thomas Stroud

Summary J. Thomas Stroud, Jr. is a multi-disciplined professional with a rich background in military cryptology, computer science, graphic design, martial arts, linguistics, and literary production. With an early insight into the revolution of self-publishing, Stroud has successfully harnessed his diverse skills to emerge as a prolific writer and a visionary in leveraging technology for literary creativity. His work encompasses various genres, including science, science fiction, horror, fantasy, and theological studies. Professional Experience Writer and Self-Publisher 1994 - Present An early adopter of self-publishing, recognizing its potential in the early 1990s. Utilized Adobe software… Go to bio
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