Gun-Wild by Carole Parker | Script Revolution




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When a trust fund heiress escapes from a mental institution, she hooks up with a bisexual, drug-fueled gang of bank robbers and goes on a one-way trip to hell.

Trust fund heiress Cameron Clinch (20’s) walks into a tony Rodeo Drive boutique. As she opens the door, we see she’s wearing a hospital ID bracelet and her watch is cracked. She goes up to a display case and inspects a series of very pricey watches. The snotty salesgirl tells her the one she’s holding costs fifty-thousand dollars, and that she might want to see something that’s ‘more in her price range.’

Just then an armed robber BURSTS into the store and demands that the salesgirl open up the register. Cam ducks, and before she knows it, the guard rushes the robber, grabs his gun -- and it goes off, shooting him. Cam grabs it and makes the guard get down. She snatches the watch and high-tails out of the store. The salesgirl follows her outside yelling and screaming. Cam turns and SHOOTS at the store, SMASHING the windows. She jumps in her car and drives away, vibrating, and has an orgasm.

Cam impulsively drives over to the LA Gun Club. She takes her place in a stall and starts shooting, loving the feeling it gives her. Rod Funk (30’s) watches her with amusement and shows her the two-handed grip. After serious flirting, they spark, and she accepts his offer to go back to his place on the beach at Malibu, where he’s got his own private firing range.

After blowing off a few rounds, they’re joined by Hondo Ruff (30’s) and Net Caldwell (20’s), two rough-and-tumble heisters who have just robbed a mini-mart and are drenched in blood. They’re looking for a place to cool off and change – and a wheelman for their next job.

The next morning, Hondo announces the job. It’s a small-town bank on Main Street. Easy pickings. Cam wants in, but Hondo scoffs at the newcomer. And then flirts with Rod, which pisses him off. When the dust settles, it’s decided that Cam will rob a 7-11 as a test.

Quaking in her boots, Cam tries to rob the convenience store, but when the clerk tells her he doesn’t know the combination to the safe, she shoots the place up and takes off with the cash from the register, high as a kite, and incredibly turned on.

What happens next is a wild thrill-ride as the gang robs the bank, killing four cops in the process. They go on the lam in Cam’s globe-trotting parents’ luxury Winnebago and a have a booze-and-drug-drenched party, where Cam learns what really turns her on – her gun. Things once again turn bloody as Cam awakens to find Hondo having sex with a passed-out Rod, and shoots him -- and then Net, and Cam and Rod go on the run.

After eluding the law, Cam and Rod make their last stand at a final bank job where Cam is confronted by her father, who we learn was molesting her as a child, and had her locked up in an institution after she finally said ‘no.’ It’s only after she shoots and kills him that she’s able to have ‘normal’ sex with Rod. On the floor of the bank. As they die in a hail of bullets.

Submitted: October 22, 2019
Last Updated: October 22, 2019

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The Writer: Carole Parker

Carole got her start in the entertainment industry acquiring content for several cable networks as a film buyer, eventually leaving her last job as head of programming for The Playboy Channel, and set her sights on being an independent film producer. She soon co-produced CAPPUCCINO, a micro-budget film noir written and directed by Craig Ross, Jr., which won the IFFM Gordon Parks award. It was working on this film that steered Carole back in the direction of her first love, writing. Over the next few years, while working in business affairs at Warner Brothers, Disney, MTV and New Line Cinema, Carole honed her craft while working on a couple dozen films. After being laid off at Jaffe/... Go to bio
Agency: The Library
Agent: Diane Wang

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