After betrayal destroys his faith in love, Rashawn’s descent into emotional numbness and reckless relationships builds toward what seems like redemption, until his damaged past erupts in a brutal, life-altering confrontation.
Type:
Feature
Status:
For sale
Page Count:
70pp
Genre:
Drama, Romance, Thriller
Budget:
Independent
Age Rating:
17+
Synopsis/Details
GLUTTONY OF THE PRAYING MANTIS delves into the life of Rashawn, a man raised to believe in singular, true love. His world is first rocked by Ayiesha, his high school sweetheart, who shatters his innocence with a calculated deception, revealing herself to be a "praying mantis" who consumes and discards. This trauma transforms Rashawn into a cynical womanizer, using women out of spite and a belief that genuine connection is a myth. Years later, he meets Myra, a "nerdy but attractive" woman who sees beyond his hardened exterior. Their connection, built on shared vulnerabilities and a mutual love for poetry, slowly thaws Rashawn's heart, leading to a seemingly idyllic marriage and the anticipation of a child. However, Myra's changing demeanor during pregnancy, coupled with Rashawn's lingering insecurities and a growing sense of emotional suffocation, drives him to seek solace and understanding in the company of other women: Rose (Myra's alluring and cynical sister), Stacy (a fiercely independent woman), and Vickie (a troubled soul seeking connection). The narrative masterfully weaves between Rashawn's internal monologues, exploring the complexities of male emotions, societal expectations, and the nature of love itself, and the unfolding external drama of his escalating betrayals. The film builds to a shocking climax where Myra discovers Rashawn's infidelity, leading to a brutal and unexpected act of revenge that leaves Rashawn disemboweled and shot. The story then reveals a chilling twist: Rashawn, driven by his own twisted logic of love and pain, had already murdered Myra, Rose, Stacy, and Vickie, believing he was saving Myra from the pain he inflicted. The film concludes with Rashawn's final, chilling monologue, questioning the very essence of love, loneliness, and the human condition.

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The Writer: Bernard Mersier

Born and raised in Detroit, Michigan. Some of my work that's been produced include two stage plays. "The same woman in me." "Family abuse" which is also part of an anthology I've written titled "Mirrors with no images." The feature film I have in production is titled "The heartbreaker.” Go to bio
Bernard Mersier's picture